![]() ![]() When Scarlet encounters Wolf, a street fighter who may have information as to her grandmother’s whereabouts, she is loath to trust this stranger, but is inexplicably drawn to him, and he to her. Halfway around the world, Scarlet Benoit’s grandmother is missing. She’s trying to break out of prison-even though if she succeeds, she’ll be the Commonwealth’s most wanted fugitive. Goodreads Synopsis: Cinder, the cyborg mechanic, returns in the second thrilling installment of the bestselling Lunar Chronicles. Published by Feiwel & Friends on February 5th 2013 Contact your local office to see if we can clear this image for you.Scarlet (The Lunar Chronicles, #2) by Marissa MeyerĪlso by this author: Heartless, Renegades ad campaigns) requires additional clearance. Not Released (NR) This image is intended for Editorial use (e.g. (Original Caption) Head and shoulders portrait of British actress Vivien Leigh, wearing ruffles and ribbons as Scarlett O'Hara in the film 'Gone with the Wind', 1939.The timestamp is only as accurate as the clock in the camera, and it may be completely wrong. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. Txantiloi:Jaiotza garrantzitsuenak/11/5/Mundua.Wikipedia:Featured picture candidates/October-2021.Wikipedia:Featured picture candidates/Vivien Leigh.BAFTA Award for Best Actress in a Leading Role.Wikipedia:Uređivački maraton povodom Međunarodnog dana žena.some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs." Original upload log Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference with cinema scholars and editors, that they "expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible." The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. "According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. 55.)įilm industry author Gerald Mast, in Film Study and the Copyright Law (1989) p. "There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them." ( The Professional Photographer's Legal Handbook By Nancy E. Nancy Wolff, includes a similar explanation: Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary." "Publicity photos have traditionally not been copyrighted. As stated by film production expert Eve Light Honthaner in The Complete Film Production Handbook, (Focal Press, 2001 p. This is a publicity photo taken to promote a film actor.
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